SURREALISM (15 jul 1925 año – 15 mar 1940 año)
Descripción:
1925 - 1940
- movement originated in Paris
- embraced the dream and unconscious
- 2 types of drawings: automatic and dream
- unusual imagery
- instead of rejecting society ,surrealism aimed to improve it
- optimistic, about hope and creation
MASSON 1925
- mentally scarred by the experiences of WWI
- automatic drawing
- no preconceived aims (no planning/sketches)
- let his mind wander while drawing
BRETON 1929
- worked with soldiers with shell shock
- automatic writing: writing poems without going back or editing
DALI 1930
- dream paintings (unusual and imaginative imagery)
- objectifying dream words by using commonly known objects in disturbing ways
- surrealist films with absurd content and environments
MARGRITTE 1930
- "seeing comes before words"
- irony (painting that completes the landscape but also blocks it)
- fascinated by the relationship between language and art
- undermines our tendency to speak of images as the actual object
OPPENHEIM 1936
- juxtaposition sculptures
ERNST
Frottage 1925
- rubbing to apply texture
- reorganized these textures into new contexts
Paintings 1940
- decalcomania: to transfer
- placing paper on wet paper and moving it away to achieve different textural effects
Collage 1934
- dreamlike images
- collected photos from science magazines, novels, and other publications
- the meeting of 2 images from different sources
THE INTERNATIONAL EXPOSITION OF SURREALISM
- featured sculptures by Duchamp, Dali, Masson
Añadido al timeline:
120JAV
fecha:
