As seen with the Tenorlied and frottola, French song of the sixteenth century took a turn toward a national style, which differed from the international courtly style of the fifteenth. B. The name most associated with the Parisian chanson was Claudin de Sermisy. 1. Attaignant published Sermisy’s chansons. 2. His style matches the musical emphases to that of the text declamation.