jan 1, 1975 - Metarealism

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Metarealism is synonymous to metaconscience, which means beyond psychological consciousness, beyond a subjective psychological polarized view of reality. Metarealism seeks to depict the reality which exists beyond that psychological subjective perspective. Metarealism proposes not only to communicate further than the pictorial aspect of the perception of other dimensions of reality, but also the essence of those dimensions and their relation to us as human beings. Metarealism then becomes a tool for the evolution of consciousness; just like in the old days when artists painted sacred art to depict their vision of the reality they perceived, through their spiritual interpretation of other dimensions. Thus, Epstein explained that the entire history of world art is the premise and source of metarealism, particularly its condensed codes, encyclopedic summaries, and extracts.[6] For instance, metabola or metabole is derived from the dictionary and a microencyclopedia of culture, compressed and translated from one language to another so that it pertains to a reality consisted of interpenetration of different consubstantial realities.[5] For Epstein, metarealism is an attempt to return to the word the fullness of its figurative and transcendent meanings.[7]

Metarealism could be also considered a sacred art, in that it also tries to depict, through a [metaconscious] perspective, the essence of reality as perceived by a metaconscious mind. Meta meaning, a holistic view of reality as perceived by a metaconscious mind, who sees reality as a whole rather than from a subjective personalized intellectually fragmented point of view. Metarealism is the materialization in pictorial form of the reality of other dimensions and their direct effect, and relation upon us. Metarealism tries to depict the relations between those dimensions of reality and how we psychologically interpret them through our sub mental symbolism. As a narrative style, metarealism does not have a clearly defined lyrical hero and focuses instead on the so-called sum of perceptions, which is "the geometrical space constituted by points of view.[6]

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