The cantata, Andate, o miei sospiri by Scarlatti operates along lines very similar to an opera. a. Scarlatti acknowledges it as “in a devilish style” and highlights the use of chromaticism. b. The structure is regular: four sections that form two pairs of recit/arias. c. The second aria is exemplary of Scarlatti and of Neapolitan music in general. 4. Scarlatti also standardized the sinfonia. 5. The final piece (dance) was in binary form, with the A section ending on the dominant. Scarlatti’s harmonic schemes (as seen in the da capo aria and binary form) establish a key, provide contrast by moving out of it, followed by a sense of closure in returning to the first key.
*exact date of this piece is unknown, so it is marked here as c. 1700