Digitally-enhanced photography of various speeds (i.e. slow motion, time-lapse) extreme transformation of time and space. is able to move around the scene at a normal speed while events are slowed. show normally unfilmable events, such as flying bullets.
The Wachowski brothers and their VFX supervisor John Gaeta looked east to help inject The Matrix with its hyper-real action beats. Akira director Katsuhiro Otomo’s view-morphing techniques were a major influence on the movie.
