1 янв 1760 г. - Singing in Slavery (1760-1770)

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Singing in Slavery
When looking at music of African American interpretations can be very ambiguous. Similar to poetry as a primary source, lyrics can be interpreted in different ways, especially with songs written by slaves. According to Berry D. K. (2017) the singing as a form of communication is deeply rooted in the African American culture. It began with the African slaves who were kidnapped and shipped across the Atlantic during the Middle Passage. Slaves from different countries, tribes and cultures used singing as a way to communicate during the voyage. They were able to look for kin, countrymen and women through song. According to a white shipmate who made four voyages to Africa between 1760 and 1770. “They frequently sing, the men and women answering one another, but what is the subject of their songs [I] cannot say.” Although they could not understand what the Africans were saying, the crew did pick up on the sorrowful tone of their songs. Music was a way for slaves to express their feelings whether it was sorrow, joy, inspiration or hope. Songs were passed down from generation to generation throughout slavery. These songs were influenced by African and religious traditions and would later form the basis for what is known as “Negro Spirituals”. Singing at contraband camps helped former slaves navigate the gray area between slavery and freedom. Members of the contraband camp sing “There is a Balm in Gilead” as Charlotte Jenkins arrives for the first time to the Mansion House Hospital. A traditional Negro spiritual, the balm in the Gilead is interpreted as a spiritual medicine that able to heal sinners (Berry, 2017).
There is a Balm in Gilead
To make the wounded whole;
There is a Balm In Gilead
To heal the Sin-Sick soul.
More information is found under the link: https://en.wikipedia.org/wiki/There_Is_a_Balm_in_Gilead
References:
Berry, K. D. (2017). Singing in slavery: Songs of survival, songs of freedom. Mercy Street Revealed Blog.

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