1 янв 1310 г. - Ognissanti Madonna Giotto

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Uffizi Gallery of Florence,
It is often celebrated as the first painting of the Renaissance due to its newfound naturalism and escape from the constraints of Gothic art.

an icon, still retaining the stiffness of Byzantine art, and Giotto retained the hierarchy of scale, making the centralized Madonna and the Christ Child much larger in size than the surrounding saints and religious figures.[2]

Giotto's figures, however, escape the bounds of Byzantine art. His figures are weighty and are reminiscent of three-dimensional sculptures, such as those in classical Roman sculpture.

Giotto's fabric folds are more realistic, and instead of lines he used light, shadow, and color to create the appearance of fabric. Contours of the body underneath these fabric folds are also visible, specifically in the Virgin's knees and also around her breasts.

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