1 gen 1929 anni - Dziga Vertov, Man with a Movie Camera

Descrizione:

(Chelovek s kinoapparatom)

35 mm film, 68 min
Black & White, silent

As The Man with the Movie Camera begins, the cameraman climbs out of the “head” of the camera. The film then takes its viewer on a humorous, kaleidoscopic ride through Soviet cities while drawing parallels between the moviemaker and the factory laborer, and exposing the filmmaking process. At one moment Vertov presents a man riding a motorcycle, and then, surprisingly, he shows us shots of the cameraman filming the motorcycle, then shots of the editor editing those shots.

Making use of all filming strategies then available—including superimposition, split screens, and varied speed—Vertov created a revolution in cinematic art with his defiant deconstruction of dramatic norms. He had previously been a medical student. Under the influence of Futurist art theories and Futurism’s confidence in the machine, he changed his name from Denis Kaufman to Dziga Vertov (meaning “spinning top”) and began to experiment with sound recording and assemblage. After the Bolshevik Revolution of October 1917, along with his wife/editor and brother/cameraman he made films and developed polemics that called for an end to filmmaking as it was then known. “We proclaim the old films, based on the romance, theatrical films and the like, to be . . . mortally dangerous! Contagious!” he stated. Like others of his generation, Vertov believed that the creation of an objective “cinema eye” (or kino-glaz), would, in destroying old habits of viewing, help build a new, proletarian society.

https://www.moma.org/collection/works/89505

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