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August 1, 2025
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History of Installation Art
Category:
Historia
Actualizado:
hace 9 meses atrás
With details of public art included
0
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89
Autores
Created by
Grace Collins
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TAST
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Grace Collins
hace 8 meses atrás
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504
Feminist History of Art
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Grace Collins
hace 7 meses atrás
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318
Art
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Grace Collins
hace 9 meses atrás
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215
QC, G
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Grace Collins
hace 9 meses atrás
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87
L'histoire du féminisme en France
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Grace Collins
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84
MS/HR
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Grace Collins
hace 8 meses atrás
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Grace Collins
hace 9 meses atrás
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78
Eventos
Charles Barry designs Trafalgar Square, London.
Charles Barry designs Trafalgar Square, London. (copy)
Greater London Authority assumed responsibility for the fourth plinth.
the Royal Society of Arts commissioned three sculptures for 4th plinth
Kwon, Miwon, One Place after Another: Site-Specific Art and Locational Identity (2002).
Claes Oldenburg: "I am for an art … that does something other than sit on its ass in a museum."
Donald Judd: "The space surrounding my work is crucial to it..."
Kaye, Nick. Site-Specific Art: Performance, Place and Documentation (2013).
Allan Kaprow used the term "Environment"
Maurice Merleau-Ponty’s Phenomenology of Perception (1945)
Allan Kaprow, Yard, 1961
Installation Art by Claire Bishop, 2005.
The Turbine Hall, Tate Modern opens.
Bruce Altshuler, The Avant-Garde in Exhibition: New Art in the Twentieth Century.
Gaston Bachelard, The Poetics of Space.
Nicolas De Oliveira, Nicola Oxley and Michael Petry, Installation Art in the New Millennium.
Hal Foster, The Return of the Real: The Avant-Garde at the End of the Century.
Jennifer A. González, Subject to Display: Reframing Race in Contemporary Installation Art.
Erika Suderburg, Space, Site, Intervention: Situating Installation Art.
Julie H. Reiss, From Margin to Center: The Spaces of Installation Art.
Lucy R. Lippard, Six Years: The Dematerialisation of the Art Object from 1966 to 1972.
Ilya Kabakov, On the “Total” Installation.
Allan Kaprow, Assemblage, Environments & Happenings.
Michael Fried’s essay on ‘Art and Objecthood’, 1967.
Jacques Rancière, The Politics of Aesthetics.
Documenta is founded
The Unilever series at the Tate begins
The Unilever series at the Tate ends
Marcel Duchamp, Fountain, 1917.
Kurt Schwitters, Merzbau, 1933.
Cornelia Parker, Cold Dark Matter: An Exploded View, 1991.
Bertolt Brecht's Mother Courage and Her Children (Mutter Courage und ihre Kinder) 1938–39/1941
Walter De Maria, The Earth Room, 1977
Venice Biennale began its exhibitions in 1895
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