Kazoku and Elite Westernizers (1869 – 1912) (1 jul 1869 ano – 1 jan 1912 ano)

Descrição:

Description:
Children of the new peerage class (kazoku) and wealthy elites who adopted Western fashions, lifestyles, and social clubs, often creating a visible and controversial subculture.

Cultural / Historical Context:
The Meiji government created the kazoku peerage in 1869, drawing from former daimyo and court nobles. Westernization was a status symbol, and elite youth attended Western-style schools, parties, and clubs.

Events/Names:
July 8, 1869: Kazoku peerage system established: The formation of a new peerage class provided elite youth with unique privileges and opportunities to experiment with Western lifestyles, setting them apart from both commoners and older elites.

1870s–80s: Elite youth frequent Rokumeikan: This Western-style social hall became a symbol of elite Westernization, hosting balls and gatherings for aristocrats to display their cosmopolitan tastes.

Notable Figures: Prince Tokugawa Iesato (August 16, 1863 – June 5, 1940), Countess Sutematsu Oyama (April 6, 1860 – February 18, 1919).

Connection to Youth Rebellion/Punk Sentiments:
Their Westernization was both privilege and cultural rebellion, drawing criticism from traditionalists. They often disregarded traditional Japanese customs and embraced Western fashion, music, and social practices. Their actions challenged established norms and sparked debates about cultural identity and national values. By adopting Western lifestyles, they distanced themselves from mainstream society and asserted their independence.

Why This Subculture Matters:
They exemplify how youth express rebellion through lifestyle and cultural choices, and how class intersects with youth identity. They highlight the complexities of cultural exchange and the ways in which youth negotiate tradition and modernity. Their experiences offer insights into the social dynamics of the Meiji era and the challenges of cultural assimilation.

Equivalent Western Example:
British aristocratic youth or the “Bright Young Things” of the 1920s similarly embraced avant-garde fashion and lifestyles, challenging established norms.

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