According to all known laws of aviation, there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don’t care what humans think is impossible.” SEQ. 75 - “INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow... ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY (CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie"
Ted Limbrick’s timeline about Catherine McAuley is very well done because it presents her life in a clear and simple way. It helps the reader follow the important events step by step without feeling confused. The timeline breaks her story into small parts, which makes it easier for students to understand the big picture of her life and work. By showing the order of events, it also highlights how her choices and faith led her to start the Sisters of Mercy, making the timeline both educational and inspiring.
The timeline created by Ted Limbrick is very good because it is a helpful learning tool about Catherine McAuley’s life. It makes it simple for students to see the main events and dates that shaped her journey. The way it is set out allows readers to quickly find information, making it easier to study for class or write assignments. It also shows how Catherine McAuley dedicated her life to helping others, so the timeline not only informs but also teaches us about Catholic values like service, kindness, and faith.
Ted Limbrick’s timeline about Catherine McAuley is excellent because it shows more than just dates; it captures the meaning behind her life. Each step of her journey reflects her courage and commitment to helping the poor and sick. The timeline is good at showing how one person’s faith can make a huge difference in the world. By reading it, we can feel inspired to live with the same compassion and generosity that Catherine McAuley showed. This makes the timeline both powerful and memorable.
The timeline made by Ted Limbrick is really good because it is organised in a professional and thoughtful way. It helps us understand Catherine McAuley’s life story in order, from her early struggles to her founding of the Sisters of Mercy. The clear structure makes it easy to follow and also shows the growth of her mission over time. This type of layout is helpful because it turns history into something simple and interesting, making us want to learn more about her and the Catholic faith.
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