Schubert (AUS) (1 janv. 1797 – 1 janv. 1828)

Description:

THIRD RELATIONS-Frequent Key Changes, Direct Modulation
Free use, repetition, deletion of text (see chart) for musical means
Sensitivity to the included text through text painting
SCRO ala Beethoven (a particular fan of the clarinet)
Use of instrument families like a choir to introduce movements
Singable vocal writing

From Grove

“Although his harmonic language grew out of the chromaticism of Mozart, his harmonic daring in
lieder could approach that of mid-century Wagner. In Stimme der Liebe (D412) of 1816, a hymn to
love, Schubert passes through no fewer than six remote keys in the course of 30 bars. In the more
expansive Ganymed (D544), he moves through three distantly related keys specifically linked to
Goethe's irregular poetic structure. The ecstatic hymn to the almighty, Die Allmacht (D852), moves
rapidly through highly chromatic sequences. Trost (D523), a premonitory song about death from
January 1817 and headed ‘mit schwärmerischer Sehnsucht’ (with passionate longing), slips on the
word ‘tief’ (deep) from B major down to the flattened sixth of G major, a relationship that Schubert
would invoke repeatedly over his career.”

Ajouté au bande de temps:

Date: